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Sara Frances | In this column, I'll focus on the easiest and most familiar lens to videographers: the wide angle. Event work lends itself to big drama-the beauty shot, the grand sweeping overview. If your standard kit contains just one extra lens, it's bound to be a wide or wide attachment.
Elizabeth Avery Merfeld | This is the story of Joth Riggs, a successful Hollywood assistant director turned breakout wedding filmmaker turned ... well, you can just read it for yourself and find out. You'll see what you've probably already suspected: that an A-list film production background isn't the worst kind of training you can have if you want to make great wedding videos—and, perhaps less predictably, that happy endings often aren't endings at all.
Elizabeth Avery Merfeld | A look inside Gebbs Wedding Films' all-SDE business model and all-DSLR shooting M.O.
Jan Ozer | If you're starting to focus more on the art of the production and want to experiment with multiple lenses, variable-speed recording, and more storyboard-based productions, the JVC GY-HM700U should be on your short list.
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